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Beyond the brass tracks

Seeking movement in clay

January 25, 2018 Comments (0) Views: 442 Accessories, Craft

Bringing crafts to the consumer

Through her Bangalore-based Studio Moya, Rashmi Singh is working on bringing relevance to traditional crafts even while helping to empower the craftspeople.

In 2006 when she passed out from college, there were very few names and brands that offered a good job profiles and salaries. After Rashmi had begun her career at Arvind Brands, she worked in industry for five years, finally quitting her job as a Design Manager for Louis Philippe. This experience gave her confidence and exposure to build things on her own later, doing everything she loved doing.

Her love for indigenous crafts and artisanal products often had her traveling to clusters for freelance projects with NGOs and individuals:

“I always felt crafts had the power to evoke, be distinctive and reconstitute, and narrate a story without words. Our crafts history dates back to several millennia, originating out of various needs and using natural resources available.
With industrialization, these crafts and craftspeople lost their relevance as they could not cater to the contemporary needs of the competitive markets. The crafts could not evolve as we did. Clearly there was a need… Studio Moya was launched to focus on this need of the global consumer who was looking for artistic solutions and contemporary design done with traditional techniques.”

Tabletop accessory, memo box

A modern interpretation of Madhubani style of drawing

Madhubani meets doodle art, an overnight tote

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Jewelry box

Handcrafted to perfection, laptop tote

Clutch it Up!

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Handpainted leather t-lights

Their design stories are a take on the traditional forms and techniques but have a very contemporary look and feel. Studio Moya has artisans from Bihar interacting with artisans from Andhra through their products.

“It’s a very open culture where we are working towards building finesse and design in traditional crafts with contemporary esthetics”, Rashmi says.

She shares her experience of craft sector collaborating with the brand:

“With the growing awareness about the need to preserve and imbibe traditional crafts, a lot of brands are working in the craft sector in their own capacities. Peter England wanted to work on an exclusive hand painted collection of shirts for its premium clientele. Working with Peter England to collaboratively develop their ‘Summer of Madhubani’ collection was a milestone experience for Studio Moya. It brought us a lot of learning and the experience of working with corporate clients in the craft sector.”

A leather puppet artist working on a piece

Artisans team in Madhubani

“I feel the best way a brand can connect to any rural craft is to provide professional and technical expertise, – Rashmi says, –  build infrastructure and process into the work that they do, and then absorb what works best with their brand philosophies.”

Read this story in POOL 89.

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